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PETER
MANSBENDEL had a very
close family and was blessed with many friends and clients.
While still in New York, at tea in his studio he met Clotilde
Shipe, whose father, Monroe M. Shipe,
was a prominent Austin real estate developer. Mansbendel followed
Miss Shipe to Austin, where they were married in 1911. In
time they became the parents of a daughter (Valerie, 4-9-1913
)and a son (Peter, Monroe b. 5-5-1920). Mansbendel possessed
an outsized personality and was loved by many. With his dark
good looks, eyes that darted beneath impervious brows and
immense personal charm, he could have been one of the "Three
Musketeers" according to Austin Architect Delmar Groos.
But
at 5'6" he wasn't tall enough for the part. He had broad
powerful shoulders that would have made him a formidable adversary.
His vigorous movements denoted great physical and mental energy.
Mansbendel was a jovial, outgoing man who usually had a ribald
story or two to tell. Mrs. Lena Fischer, matriarch of the
Dieter family in Austin, characterized Mansbendel's humor
in two words. "Very Wicked." She loved it, and him.
When asked his occupation Mansbendel usually responded "I'm
a chiseler."
He
regaled his audiences with his talent for mimicry. A favorite
target was his cherished friend Wilhelm Kutalek who worked
as a joiner in Mansbendel's studio until entering business
for himself as a building contractor. Mansbendel was particularly
adept in portraying Kutalek's anguish over having to pay his
taxes. Mansbendel also had a theatrical flair which lead to
the involvement with the Austin Community players, where he
served not only as the art director, but at times as a member
of the cast, especially in musicals.
Singing
was the great love of Mansbendel's life. He was a devoted
member of the Saengerrude, the german choral union that
continues to this day. His rich baritone voice was heard
also in the choir of St. David Episcopal Church. And there
were many Saturday night soirees in Mansbendel's home. Here
gathered his good friends Dewey Bradford, owner of the paint
store, Phil and William Dieter from the Calcasieu Lumber
Co., Godfrey Flury, then in the outdoor advertising business,
Anton Stasswender, whom owner of the Monument works, Arthur
Fehr, a young architect, Paul Wakefield, Public relations,
together with other friends from the Saengerrunde, the theatrical
group, and the lumber companies.
Mansbendel
was a gracious and ingratiating host. Prohibition gave him
the opportunity to perfect his skill as a brew master. His
Son-In-Law, WT Williams recalled that he has a wonderful
collection of bottles for which he found repeated use. Except
for the 80 that exploded in a joyous midnight celebration
in an upstairs closet. He also made a tangy red wine, and
with a little more ingenuity, produced a drinkable champagne
from honey. Mrs. Mansbendel remained in the background on
these occasions. She was a pleasant women, but quite reticent-much
the opposite of her husband.
Mansbendel could be irascible with friends, but it is a mark
of his warm humanity that they invariably dismissed this
as "artistic temperament" and forgave him without
apology. He adored children—-his own and everyone
else's—and the feeling was reciprocated. "He
understood us," recalled librarian Yvonne Greear, "but
he didn't tolerate nonsense." She remembered for years
he kept goats. From time to time he would make ice cream
which, he claimed still had the ba-a in it. In the summertime,
Mansbendel was a member of the Rock Sitters of Barton Springs.
Frequently, he relaxed with tennis with next door neighbor,
Mrs. David Moffatt. What kind of tennis player she was asked?
" He was a much better woodcarver." In her widowhood,
Mrs. Moffatt established a home bakery. It was her illustrious
friend that she learned the art of icing cakes.
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Peter Mansbendel's School Photo
in Basel, Switzerland
(circa 1898)
Back of Photo
signed and dated
(May 31-1898)
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Peter, Peter Monroe
and Family Friends (circa 1930) |

Peter, Clotilde and daughter Valerie
(circa 1916)
Grandfather Monroe Shipe,
Peter and Valerie
(circa 1916) |
Peter Monroe Mansbendel
(circa 1930) |

Valerie and Peter Singing
(circa 1916)
Monroe Shipe (circa 1910) |

Valerie's wedding photo in front of Mansbendel fireplace (circa
1933)
Valerie's daughter Dee Dee
still owns the Chinese statue,
that rests on the mantel behind
her mom. Peter apparently loved to barter, so he traded
a woodcarving for this statue
according to a newspaper article.
Shipe Car trip
(circa 1916)
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Grandfather Shipe, Clo, Val
and Peter in a bluebonnet field...
(circa 1917)
Valerie Mansbendel with her
doll collection (circa 1918)

Peter, His Mother (Valeria Siegrest)
and brother Johann (Hans)
(circa 1938) |

Valerie Mansbendel at 4 or 5
near the Cannas Lilly garden
in her grandfather Shipe's
backyard on Avenue F across the
street from the current Mansbendel
Home. The Cannas Lilly garden was surrounded by a 1&1/2
foot side
walk in a 10-15 foot diameter
circle. (circa 1918)
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